How will the country improve, asks filmmaker Manoj Tiwari in his upcoming film P se Pyaar, F se Faraar
P se Pyaar, F se Faraar explores hate crimes and the toll that caste-based violence takes on the victims as well as their families.
Diorama organizes a retrospective fashion show on costumes in Hindi films
The fashion show included iconic looks like those of Raj Kapoor from Shree 420 (1955), Amitabh Bachchan from Yaarana (1981), Hrithik Roshan from Jodhaa Akbar (2008), among others.
Sohalla review: Typical domestic drama of love and loss besotted with typified aesthetics
Filmmaker Gajendra Ahire’s Sohalla (2019), a tale of domestic strife, love and repentance, benefits from a cast of versatile artistes across the board.
Film is a socio-economic product after all: Nitin Chandra at Diorama
The filmmaker spoke to us about making his first film in Bhojpuri, language politics, challenges that independent filmmakers face and more on the sidelines of the recently concluded Diorama film festival.
Drew on Dostoevsky's Dream Of A Ridiculous Man, White Nights: Sharad Raj on Ek Betuke Aadmi Ki Afrah Raatein
Set against the Muzzafarnagar riots that shook India in 2013, Ek Betuke Aadmi Ki Afrah Raatein is a tale of alienation of a man and his surroundings in a communally tense state.